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Taylor's band The Cross were headliners, and he brought May and Staffell on to play "Earth" and "If I Were a Carpenter".
In Queen's three-part vocal harmonies, May was generally the lower-range backing vocalist.
Two songs that May had composed for his first solo album, "Headlong" and "I Can't Live With You", eventually ended up in the Queen project.
His other composition was "The Show Must Go On", a group effort in which he was the coordinator and primary composer, but in which they all had input, Deacon and Taylor with the famous chord sequence.
He uses a home-built electric guitar called the Red Special.
His compositions for the band include "We Will Rock You", "Tie Your Mother Down", "I Want It All", "Fat Bottomed Girls", "Flash", "Hammer to Fall", "Save Me", "Who Wants to Live Forever", and "The Show Must Go On".
Personally, I know it ripped the heart out of Brian, but having said that, he was in great spirits after the album was finished." In late 1992, the Brian May Band was officially formed.For the rest of the album he did not contribute so much creatively, although he helped in building the basis of "Party" and "Was It All Worth It" (both being predominantly Mercury's pieces) and created the guitar riff of "Chinese Torture".Queen's subsequent album was Innuendo, on which May's contributions increased, although more in arrangements than actual writing in most cases; for the title track he did some of the arrangement for the heavy solo, then he added vocal harmonies to "I'm Going Slightly Mad" and composed the solo of "These Are the Days of Our Lives", a song for which the four of them decided the keyboard parts together.From the mid-1970s until the early 1990s, Queen were an almost constant presence in the UK charts and played some of the biggest venues in the world, most notably giving an acclaimed performance at Live Aid in 1985.As a member of Queen, May became regarded as a virtuoso musician and he was identified with a distinctive sound created through his layered guitar work.
